ECHO
By Daryl Hine
Echo that loved hid within a wood
Would to herself rehearse her weary woe:
O, she cried, and all the rest unsaid
Identical came back in sorry echo.
Echo for the fix that she was in
Invisible, distraught by mocking passion,
Passionate, ignored, as good as dumb,
Employed that O unchanged in repetition.
Shun love if you suspect that he shuns you,
Use with him no reproaches whatsoever.
Ever you knew, supposing him to know
No melody from which you might recover-
Cover your ears, dear Echo, do not hear.
Here is no supplication but your own,
Only your sighs return upon the air
Ere their music from the mouth be gone.
Thursday, January 14, 2010
BLACK BOYS
BLACK BOYS PLAY THE CLASSIC.
By Toi Derricotte
The most popular “act” in
Penn Station
is the three black kids in ratty
sneakers & T-shirts playing
two violins and a cello—Brahms.
White men in business suits
have already dug into their pockets
as they pass and they toss in
a dollar or two without stopping.
Brown men in work-soiled khakis
stand with their mouths open,
arms crossed on their bellies
as if they themselves have always
wanted to attempt those bars.
One white boy, three, sits
cross-legged in front of his
idols—in ecstasy—
their slick, dark faces,
their thin, wiry arms,
who must begin to look
like angels!
Why does this trembling
pull us?
By Toi Derricotte
The most popular “act” in
Penn Station
is the three black kids in ratty
sneakers & T-shirts playing
two violins and a cello—Brahms.
White men in business suits
have already dug into their pockets
as they pass and they toss in
a dollar or two without stopping.
Brown men in work-soiled khakis
stand with their mouths open,
arms crossed on their bellies
as if they themselves have always
wanted to attempt those bars.
One white boy, three, sits
cross-legged in front of his
idols—in ecstasy—
their slick, dark faces,
their thin, wiry arms,
who must begin to look
like angels!
Why does this trembling
pull us?
AUTHORITY
AUTHORITY BY W.S MERWIN
At the beginning the oldest man sat on the corner
of the garden wall by the road under a vast
walnut tree known to have been there always
he came back in the afternoon to the cave of shade
in his broad black hat black jacket the striped gray
wool trousers once worn only to church in winter
with a cane on either side resting against the stones
he said when your legs have gone all you can do
is to sit this way and be useless I believe God
has forgotten me but I think and I remember
he said that is what I am doing I am thinking
and things come to me now when nobody else knows them
he was visited by the dazzling of accidents the boy
who caught his hand in the trip hammer and it came out
like cigarette paper the man with both crushed legs
dangling and the woman murdered and his father the blacksmith
forging the iron fence to put around the place
out on the bare slope where she had fallen I could never
be the smith my father was as he always told me
I was good enough you know but I never had
the taste needed for scythe blades sickles kitchen knives
we preferred to use carriage springs to make them from
in the forge outside the barn there and his were sought after
oh when he had sold all he took to the fair the others
could begin I still have the die for stamping the name
of the village in the blade at the end so you could be sure
At the beginning the oldest man sat on the corner
of the garden wall by the road under a vast
walnut tree known to have been there always
he came back in the afternoon to the cave of shade
in his broad black hat black jacket the striped gray
wool trousers once worn only to church in winter
with a cane on either side resting against the stones
he said when your legs have gone all you can do
is to sit this way and be useless I believe God
has forgotten me but I think and I remember
he said that is what I am doing I am thinking
and things come to me now when nobody else knows them
he was visited by the dazzling of accidents the boy
who caught his hand in the trip hammer and it came out
like cigarette paper the man with both crushed legs
dangling and the woman murdered and his father the blacksmith
forging the iron fence to put around the place
out on the bare slope where she had fallen I could never
be the smith my father was as he always told me
I was good enough you know but I never had
the taste needed for scythe blades sickles kitchen knives
we preferred to use carriage springs to make them from
in the forge outside the barn there and his were sought after
oh when he had sold all he took to the fair the others
could begin I still have the die for stamping the name
of the village in the blade at the end so you could be sure
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